


St Wilfrid’s , Haywards Heath RH16 3QH
An Evening of music followed by a theme supper at The Centenery Hall
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Leigh Woolf - Mezzo Soprano “Leigh Woolf sang with velvety, plangent tone in the role of his lovesick son.” The Times
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Andrew Rees – Tenor “the Coliseum-filling voice of Andrew Rees, attractively bright, ringing and open”
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Charlotte Ellett - Soprano “…Charlotte Ellett commands a sinuous voice and impressive technique, complemented by by intelligent, charming acting.” Peter Reed – OPERA December 2007
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Gareth Hancock – Pianist
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Owen Gilhooly-Baritone
Music from; Mozart's The Magic Flute, Lehar - The Merry Widow, Strauss - Die Fledermaus, Songs by Kurt Weill
Due to the popularity of this event and the capacity of this venue, there are a limited amount of tickets available
Tickets from: Baldwins Drapers, South Rd, Haywards Heath
Ticket Prices: £15/12.50 conc
or £25 includes ticket price and a singalong supper at the centenary hall
T: 01444 255 115





Above left to right: Andrew Rees, Gareth Hancock, Owen Gilhooly, Leigh Woolf & Charlotte Ellett
Andrew Rees - Tenor

True to Welsh tradition Andrew began singing at a very early age competing and winning eisteddfods at National level both as a singer and a pianist living in South West Wales.
He graduated with honours from the Royal Northern College of Music, then studied opera in London before joining the renowned English National Opera as a principal tenor.
Andrew has performed as a concert soloist at all the major concert venues in London and across the UK. He has broadcast live on Radio and TV many times and has also entertained in such diverse venues as the Sydney Opera House, on board The QE2, various outdoor ‘Proms in the Park’, the prestigious Henley, Newbury Spring and North Wales International Festivals.
Travelling widely with his operatic work Andrew has taken lead roles in New Zealand, Germany, Switzerland, Portugal and across the UK.
Roles include:
Pinkerton Madam Butterfly
Cavaradossi Tosca
Don Jose Carmen
Steva Jenufa
Boris Katja Kabanova
Sergei Lady Macbeth of Mtsensk
Alfredo La Traviata
Froh Das Rheingold
Future highlights include recording the role of Narraboth with Sir Charles Mackerras on the Chandos label and operatic debuts in Nantes and Lille.
Charlotte Ellett - Soprano

Charlotte Ellett studied at the Royal Northern College of Music and the National Opera Studio. She began her career at Glyndebourne Festival where her roles included Frasquita Carmen and First Bridesmaid Le nozze di Figaro. As an Associate Artist at Welsh National Opera she sang the Angel Jephtha, Barbarina and Susanna Le nozze di Figaro, Frasquita Carmen and Karolka Jenufa which she subsequently recorded for Chandos under Sir Charles Mackerras
Her other operatic roles include Miss Wordsworth Albert Herring, Pamina Die Zauberflöte, Despina Così fan Tutte, Iphis Jephtha and Zerlina Don Giovanni, and Musetta La Boheme.
Charlotte Ellett regularly performs oratorio and recitals. She has sung Mozart’s Requiem at the Bridgewater Hall and Royal Festival Hall, Messiah at the Royal Albert Hall with Sir David Willcocks, Poulenc Stabat Mater at King’s College Cambridge and Bach’s Christmas Oratorio with the Royal Philharmonic Orchestra. Her repertoire also includes Bach St Matthew Passion, Poulenc Gloria, and Rossini Stabat Mater.
She recorded Mahler’s Das Klagende Lied as the Chorus soloist under Kent Nagano, and Rawsthorne’s Second Symphony for the Naxos label. At St David’s Hall, Cardiff, she performed as part of their lunchtime recital series.
Other engagements have included Chair The Chair in Love by John Metcalf in Montreal with a subsequent tour in the UK.
Among her recent engagements she has performed Amor Il ritorno d’Ulisse in Patria, Musetta and Frasquita for Welsh National Opera, Hermia (Fleurette) in Offenbach’s Barbe Bleu at Buxton Festival and with English Touring Opera the leading role of Vespina in Haydn’s Country Matters.. Future engagements include her return to WNO where she will sing Karolka Jenůfa.
February 2008
Musetta / La Boheme / English Touring Opera
"...the singing, though, is some of the best I have heard from ETO: a really promising
Mimi and Marcello from Tamsin Coombs and Douglas Bowen; a scene-stealing
Musetta (Charlotte Ellett), who could transfer to almost any of the big British
companies tomorrow. . " Hugh Canning - Sunday Times
Leigh Woolf - Mezzo-Soprano

“Leigh Woolf sang with velvety, plangent tone in the role of his lovesick son.”
The Times
Leigh studied as an undergraduate at the Royal College of Music with Margaret Cable and also on the Opera Course as a Senior Exhibitioner with Kathleen Livingstone. Whilst at the RCM she won prizes for Lieder, English Song, interpretations of Bach and Handel and recital singing before graduating with first class diplomas in recital and opera. She currently studies with Paul Farrington and is a Samling Foundation Scholar.
On the concert platform Leigh has sung much of the major repertoire, ranging from Purcell to Tippett, performing with conductors and orchestras including Sir David Willcocks, Sir John Eliot Gardiner (the English Baroque Soloists) and Thomas Zehetmair (Northern Sinfonia).
Her operatic roles include covering Cherubino (Le Nozze di Figaro) for Glyndebourne on Tour, covering Euphemia (Leoncavallo's La Boheme) for ENO, Orlofsky (Die Fledermaus) for Tête à Tête, Kate (Owen Wingrave), Idelberto (Lotario), Nancy (Albert Herring), Second Lady (The Magic Flute), Andronico (Giustino) and Vitellia (Tito Manlio) for La Serenissima, both of which were broadcast on BBC Radio 3.
Recent performances have included Brahms' Liebeslieder at Wigmore Hall, a Gala Concert for the Samling Foundation alongside Sir Thomas Allen, Mary in Berlioz's L'Enfance du Christ in Winchester Cathedral, Bach Mattheus Passion with Peter Schreier, the world premier of The Devil's Drum by Edward Dudley Hughes in the Purcell Room, a recital in the Chichester Festival as the winner of the John Warner Memorial Prize and The Angel in The Dream of Gerontius at Snape Maltings. She also received the Leith Hill Music Festival Award and has appeared in recital St. Martin-in-the-fields and with Malcolm Martineau at St. John's, Smith Square.
Future engagements include Bach's Mass in B minor at Peterborough Cathedral and a recital with her husband, baritone Christopher Maltman.
Gareth Hancock - Pianist

Born in Worcester, Gareth graduated from Clare College, Cambridge with a BA (Hons) in Music and gained the Dip. RAM in piano accompaniment. He has subsequently worked as conductor, senior coach and repetiteur at Glyndebourne Festival and Touring opera, The Royal Opera, Convent Garden, English Natioonal Opera, Opera North, Opera de Lyon and English Touring Opera. He has conducted Rigoletto, The Marriage of Figaro, The Barber of Seville, Rape of Lucretia, Don Giovanni, Misper and Apollo e Daphne.
He recently conducted the debut album for Alfie Boe for Classic fm/Sony BMG and Puccini highlights for the Chandos/Peter Moores Foundation opera in English series. He also worked as Musical Advisor and vocal coach on a film of The Magic Flute, directed by Kenneth Branagh.
As an accompanist Gareth has appeared at all the major London venues and throughout Europe and the USA. He has also broadcast on BBC Radio 3, Radio France and Classic fm.
Gareth was Head of Music for Savoy Opera and is Music Director for English Music Company. He is also on the coaching staff at the Royal Academy of Music.
Future plans for Gareth include conducting Madame Butterfly for Opera North.
He is also due to release a CD of works for Cello and Piano later this year.
Owen Gilhooly - Baritone

March 2008
'So perverse is even the fairest competition system that it's often the ''losers'' who go on to make the real careers. So watch out too for...... Owen Gilhooly..(inter alia)...among many others'
The Times: Review of the Year 2007/Hilary Finch
Irish baritone Owen Gilhooly trained with Jean Holmes at the Limerick School of Music and subsequently at the Royal College of Music, London, where he held the Peter Pears Exhibition. A winner of the Madeline Finden Memorial Trust and the Great Elm Vocal Awards, he continued his studies at the National Opera Studio supported by the Belfast Classical Music Bursary, the Irish Arts Council, the RVW Trust the Sibyl Tutton Trust and Chris Ball. In 2007 he represented Ireland at BBC Cardiff Singer of the World. His teachers have included Graziella Sciutti, Margaret Kingsley, Russell Smythe, Pat McMahon(Glasgow)and Conor Farren (Dublin).
During 2004, he created Philoctetes in the world première of Edward Rushton’s Trojan Trilogy for The Opera Group and starred as Figaro The Barber of Seville at the Savoy Theatre with Savoy Opera. His other operatic engagements have included Mr Gedge Albert Herring for Opera Project, Poulenc’s Burning Mirrors for the ENO Studio, Schaunard La bohème for Scottish Opera Go Round, Schaunard and Colonel Frank Die Fledermaus for Co–Opera Ireland, Talpa Il tabarro for Clonter Opera, Dandini La cenerentola for OTC, Dublin, Dr Falke Die Fledermaus and Harlequin Ariadne auf Naxos for English Touring Opera and Corporal The Silver Tassie for Opera Ireland.
Recent highlights have included his début at the Royal Opera House, Covent Garden, singing the Fauré Requiem for the Royal Ballet, Mercury The Coronation of Poppea, Marcello La bohème and Dreamweaver Bug Off!!! for OTC, Dublin, his BBC Proms début as Bill Bobstay HMS Pinafore, the Brahms Requiemat St Albans Abbey, the Duruflé Requiem for the Ulster Orchestra, Messiah for the Irish Baroque Orchestra, Mozart Mass in C Minor at the National Concert Hall, Dublin, and Anthony Powers’ From Station Island at the West Cork Chamber Music Festival. His recordings include Joyce Songs — James Joyce’s Musical Dublin with the RTÉ Concert Orchestra and Frederick May’s Songs from Prison with the National Symphony Orchestra of Ireland.
During 2005/2006, Owen Gilhooly has sung Marcello La bohème for the RTE National Symphony Orchestra and Don Parmenione L’occasione fa il ladro and Elder Ott Susannah for Wexford Festival Opera, Il Conte The Marriage of Figaro for Lyric Opera, Dublin, Froila, Alfonso und Estrella for UC Opera, Valentin Faust for Opera Ireland, Eckbert Blond Eckbert for The Opera Group, Don Josè de Santarem Maritana for The Royal Dublin Society and La Poigne/Waiter Margot la Rouge for the BBC Symphony Orchestra and Radio 3,Don Fernando Fidelio for Opera Theatre Company and the Ulster Orchestra. Most recently Owen made his debut with the BBC Symphony Orchestra and Sir Andrew Davis singing Joseph and Polydorus in Berlioz l'Enfance du Christ and completed tours as Father in Hansel and Gretel for Opera Theatre Company and Dr Falke Die Fledermaus for Scottish Opera on Tour.
Recent engagements include Capellio I Capuletti e I Montecchi for Grange Park Opera and for Pimlico Opera (UK Tour), Carmina Burana with the Bournemouth Symphony Orchestra, Don Quioxte in De Falla's Master Peter's Puppet Show for BBC NI and the Ulster Orchestra, Mandarin Turandot for Opera Ireland and Father Hansel and Gretel with the National Symphony Orchestra of Ireland. Engagements for 2008 include The Bridegroom in Judith Weirs The Vanishing Bridegroom with the BBC Symphony Orchestra, a return to Opera Theatre Company, Dublin for Figaro The Barber of Seville, Carmina Burana with the Royal Liverpool Philharmonic Orchestra, Mahler's Lieder eines fahrenden Gesellen with the London Philharmonic Orchestra, Vaughan Williams A Sea Symphony with the Tokyo Symphony Orchestra, Count Almaviva The Marriage of Figaro for Iford Arts , Tooley The Mines of Sulphur and Bob The Old Maid and the Thief at the Wexford Festival 2008.